
2026 Directors

Amy Adler / U.S.
RAG DOLLS
Amy Adler is an artist and filmmaker born and raised in New York City. She studied at Cooper Union and earned MFAs at UCLA and USC. Her visual art has been shown in solo exhibitions at museums and galleries worldwide, including the Hammer Museum and MOCA Los Angeles. Her short fiction film “Tear Jerker” screened internationally and won the Audience Award at the Tampa Bay International LGBT Film Festival. Adler is a 2021 Guggenheim Fellow, a 2024 Sundance Screenwriters Intensive Fellow and Professor of Visual Arts at UC San Diego, where she has taught since 2004.

Shahad Ameen / Saudi Arabia
HIJRA
Shahad Ameen is an award-winning writer and director from Jeddah, Saudi Arabia. She holds a BA in Video Production and Film Studies from the University of West London and a screenwriting qualification. Her short films include leila’s Window (2011), which won Best Film at the Saudi Film Festival, and Eye & Mermaid (2013), which screened at major festivals including Toronto and Stockholm, winning awards for cinematogrpahy and fiction. Her debut feature, Scales, premiered and the Venice International Film Festival and won the Verona Film Club Award. The film also received multiple international honors and was Saudi Arabia’s official submission to the 2020 Academy Awards.

Catriona Baker / U.S.
BALL LIGHTNING
Catriona Baker is an Associate Professor of Animation at Lesley University College of Art and Design in Cambridge, Massachusetts. She is an animator, book artist, and painter. Her work predominantly discusses themes of social justice, specifically sexual assault and domestic violence awareness, female empowerment, and immigration. Her animations explore the visual juxtapositions between traditional media and digital processes, emphasizing the influence of the artist’s hand. She holds an MFA from the University of Pennsylvania, where she studied both animation and painting.

Stephanie Byron-Ene / Nigeria
ÓMÉNÀLÀ
Stephanie Byron-Ene Stephanie Byron-Ene is the writer and director of “Óménàlà” (Oh-May-Nah-lah). She’s Nigerian, from the Igbo tribe, and grew up in Lagos State before heading to the U.S. to study film. Her passion for filmmaking started early. At just 10 years old, she would join her father on Nollywood sets at 4 a.m., often just to hold an actor’s purse. Those experiences deeply shaped her love for storytelling.

Luiza Cocora / Canada
VOLTIGE / BALANCE
After earning a bachelor’s degree in drama from the National University of Theatre and Film in Bucharest, Luiza Cocora worked as an actress in renowned theatres in Romania, where she received several acting awards. She went on to study cinema at Concordia University in Montreal and directed two short fiction films that were presented at the Toronto International Film Festival. In 2023, she won the Regard sur Montréal residency to direct the short documentary “Balance”. Luiza is working on two feature-length fiction films.

Julia Weisberg Cortés / U.S.
MORE THAN DUST
Julia Weisberg Cortés is a writer and director based in Mexico City and Los Angeles. She became the first woman in her family to pursue a creative degree, earning her bachelor’s in screenwriting from Loyola Marymount University. Julia has gone on to pursue her passions as a filmmaker, directing and writing award-winning shorts, features, and television. Her work proudly integrates the survival stories of the women in her family with the often lost or overlooked voices of Mexican-American women.

Kristin Atwell Ford / U.S.
MOTHER v. MARICOPA COUNTY
Kristin Atwell Ford is an Emmy Award-winning filmmaker and the proud recipient of the 2021 Arizona Governor’s Arts Award. Her most recent broadcast documentary, “The Weight of a Feather,” celebrates the significance of feathers in Indigenous cultural identity and won four 2023 Rocky Mountain Emmy Awards, including best Environmental Science program.
Her feature “Riders of the Purple Sage: The Making of a Western Opera” won four regional Emmys, including best Arts/Entertainment Program. Kristin also co-produced the world premiere opera and its companion international radio broadcast with Arizona Opera. Kristin directed, wrote, and produced “Castle Hot Springs: Oasis of Time,” which won a Rocky Mountain Emmy Award for Best Historical Documentary, and produced the nine-part Arizona PBS series, “The Arizona Centennial Series with Justice Sandra Day O’Connor.”

Margaux Isaia / France
L’OCÉAN DANS LE COEUR
Margaux Isaia is a young French director. She grew up in Montpellier and first studied at Sciences Po Paris on the campus of Poitiers, where she developed an interest in gender, sociology and postcolonial studies. After several internships in documentary film production and distribution, and a year abroad in Beirut, she entered École Nationale Supérieure Louis-Lumière film school.

Malu Janssen / Belgium
BARLEBAS
Malu Janssen is a screenwriter and director based in Amsterdam. After studying theater and film at the University of Utrecht, she enrolled at the Netherlands Film Academy, where she earned a degree in fiction directing in 2016. Her short films “Eigen,” “Stuff,” “A Cappella in D Minor,” and “Barlebas” have traveled and won awards on the international film festival circuit.
Malu recently secured funding from the Netherlands Film Fund for her feature debut, “We are Light,” about a commune that strives to let go of food and live on light. The film is based on the acclaimed novel by Gerda Blees and produced by Family Affair Films.

Julya Jara / U.S.
SUBTRACT NINE SUNDAYS
Julya Jara is a film director with formal training in acting. She earned her Bachelor of Arts in Theatre from the Boris Shchukin Theatre Institute in Moscow, where she graduated with distinction. As an actress, Julya has worked across theatre, film and television. Behind the camera, her work is informed by her background in photography and visual storytelling.
Julya directed, edited, and produced “The Quilt,” a feature documentary acquired by PBS for its Made in Texas series. The film received multiple Best Documentary Feature and Audience Choice awards at festivals. Her narrative short “Subtract Nine Sundays” was sponsored by the New York Foundation for the Arts.

Anna Khaja / U.S.
HEADBANG
Anna Khaja is a Pakistani-American Muslim-American multi-hyphenate. She was the recipient of the Black List and Google Storytelling Fellowship in 2022 and the Grand Prize Winner of the Screencraft’s Pilot Competition in 2023. Her play “Shaheed: The Dream and Death of Benazir Bhutto,” which she wrote and performed in, had an acclaimed and extended Off-Broadway run in New York, as did her recent Off-Broadway stint in “Fatherland” at the Manhattan Theatre Club. As an actress, Anna had recurring roles on “The Good Place,” “The Walking Dead: World Beyond,” “The Lincoln Lawyer,” “Silicon Valley,” and “Madam Secretary,” to name a few. She also played Jaya in the Netflix feature “Definition Please.”
Early in her career, Khaja portrayed one-dimensional representations of voiceless Muslim women. Now, she tells her own stories about complicated Muslim females who ultimately define themselves. “Headbang” is her directorial debut. She is currently in pre-production on her first feature, “Bhai” (“brother” in Urdu).

Heidi Kumao / U.S.
35 DAYS
Heidi Kumao is a visual artist and filmmaker who creates animations, stitched fabric works, video installations, photographs, and machine art to give physical form to the emotions underlying everyday conversations and relationships. Heidi has exhibited her artwork in solo and group exhibitions nationally and internationally. She has been awarded fellowships and grants from the Guggenheim Foundation, Creative Capital Foundation, the National Endowment for the Arts and the New York Foundation for the Arts.
Early in her career, Khaja portrayed one-dimensional representations of voiceless Muslim women. Now, she tells her own stories about complicated Muslim females who ultimately define themselves. “Headbang” is her directorial debut. She is currently in pre-production on her first feature, “Bhai” (“brother” in Urdu).

Pauline Loquès / France
NINO
Following her studies in literature and law, Pauline Loquès sought to satisfy her thirst for writing in journalism. After working as an editor for cultural programs, she began training as a screenwriter. For her first attempt, she favored simplicity and humility, choosing to portray those around her as sincerely as possible in writing and directing the 2018 short film “La Vie de Jeune Fille.” Continuing with the same enthusiasm, Pauline wrote and then directed her first feature film, “Nino,” which won Best First Feature Film at the 2026 César Awards.

Myriam Garcia Marienstras / France
UN BAGAGE EN TROP
Myriam Garcia Marienstras is a French writer and director. Her work explores intimacy, emotional dependency and fragile human relationships, focusing on moments of imbalance, silence and vulnerability. She is particularly interested in characters who love intensely, often clumsily, and struggle to find their place within close bonds.
“An Excess Baggage” is her first short film. The film has been selected and awarded internationally, screening at festivals in Europe, the United Kingdom, the United States, and beyond, including BAFTA- and BIFA-qualifying festivals, and has received awards for Best Short Film and Best First-Time Director.
She is currently developing three short films in production with Sans Regret Productions and Cobalt Films, as well as a feature-length project. Through her films, she continues to explore intimate narratives centered on female characters, where emotions surface through gestures, silences and restrained tension.

Dana Nachman / U.S.
THE SECOND LIFE OF FREDDIE NOLE
Dana Nachman is an award-winning director and founder of Sweet World Films. Her films and series stream on Netflix, Hulu, HBO Max, and Disney+. At the heart of her work is a simple mission: to inspire people to take part in repairing the world through empathy, action, and hope.
A former journalist turned filmmaker, Nachman made her directorial debut with “Witch Hunt,” executive produced and narrated by Sean Penn, which premiered at the Toronto International Film Festival and was acquired by MSNBC Films. Her acclaimed documentary “Pick of the Litter” became a Disney+ original series she produced and directed. “Dear Santa” was acquired by IFC Films, became a Hulu hit, and later inspired an ABC series she directed. Nachman’s earlier documentary “Batkid Begins” was distributed by Warner Bros./New Line Cinema and optioned by Julia Roberts’ Red Om Films.

Jessica Plumb / U.S.
SHARED WATERS, SHARED CRISIS
Jessica Plumb is a filmmaker and writer known for exploring the relationship between people and the land and waters that sustain us. She is the producer and co-director of the feature documentary “Return of the River,” which chronicles the Elwha River restoration. The film won numerous awards, including Best Storytelling at the International Wildlife Film Festival and Best Writing at the Science Media Awards. Collectively, her films have appeared in over 50 film festivals and garnered over 20 awards.
Her video production company produces films on environmental topics for clients including HHMI Tangled Bank Studios, Nat Geo Learning, the Stanford Program on Water, Health & Development, the Clean Energy Transition Institute, Original Pursuit Inc. and numerous non-profit institutions. Her recent work includes a trilogy of short films addressing the shared extinction threat facing Southern Resident killer whales and Chinook salmon in the Salish Sea.

Alex Royer / U.S.
PERPETUAL CARE
Alex Royer (she/they) is a writer, director, and producer based in Los Angeles. They have written and directed several short films and produced many indie projects in LA. They wrote and directed “Tea,” starring Peter Vack and Ellie Sachs, and co-wrote and directed “Perpetual Care,” starring Bonnie Discepolo and Monique Coleman. Their essay “Here’s What It’s Really Like to Work in a Funeral Home” was published on HuffPost. They are in post-production on their first documentary feature, “Ignat,” which was filmed in Romania in the winter of 2025.

Ashley Toh Shiqi / Singapore
BEYOND BABY BLUES
Ashley Toh is an aspiring filmmaker from Singapore. She is currently studying at the School of Film and Media Studies at Ngee Ann Polytechnic, where she has taken on a wide range of projects, including narrative short films and documentaries. During her time in FMS, she has been placed on the Director’s List and received the Second Most Outstanding Performance Award in her first year. She also interned at Trinutty Studios, where she further honed her skills in both pre-production and production, taking on roles such as sound recordist and assistant director. Outside of school, Ashley pursues personal passion projects and enjoys documenting her travels through video and photography.

Catie Skipp / U.S.
MONSTER SLAYER
Catie Skipp is a documentary filmmaker from Miami, Florida, whose work challenges preconceptions through intimate, character-driven storytelling. Her most recent film, “Florida Woman,” was included in Season 7 of PBS’ Reel South series and received an International Documentary Awards nomination for Best Curated Series. Her previous producing credits include the feature documentary “Las Sandinistas!,” Netflix’s “Trial By Media,” and Disney+’s Marvel’s 616. With a focus on illuminating overlooked narratives, Skipp’s films reveal the humanity behind misunderstood stories and empower marginalized voices. A University of Florida graduate, she currently resides in Los Angeles.

Lara St. John / U.S.
DEAR LARA
Lara St. John is a renowned violinist who has performed with major orchestras worldwide for over four decades. In 2019, after publicly revealing that she was raped at age 14 by her teacher at the Curtis Institute in Philadelphia, she became a leading advocate for accountability in classical music. She has since spoken widely in the press, at public events, and in formal testimony, including before the Pennsylvania House Judiciary Committee, in support of survivors and legislative reform.
A prodigy, Lara began playing violin at age two, made her orchestral debut at four, and debuted in Europe at ten. Described as a “high-powered soloist” by The New York Times and “something of a phenomenon” by The Strad magazine, she has performed internationally with major orchestras and released over 20 albums on her independent label, Ancalagon Records. “Dear Lara” is her directorial debut.

Rebecca Tansley / New Zealand
TENOR: I AM PATI
Rebecca Tansley works across documentary, drama and live performance. Her feature documentary “Tenor: My Name is Pati” premiered at the 2026 Santa Barbara International Film Festival. Its New Zealand theatrical release reached number one at the box office, catapulting it into the short list of the country’s top-grossing feature documentaries. Rebecca’s previous documentaries “Crossing Rachmaninoff” and “The Heart Dances” have screened at festivals around the world, in cinemas throughout New Zealand and on platforms such as Netflix, Disney+ and HBO. Her opera film “Semele” won a 2022 NZTV award for Best Entertainment Program while her short film of the same year, “The Finding,” enjoyed more than a dozen international festival outings. Her second opera film, “The Strangest of Angels” won Special Mention at the 60th Golden Prague International Festival for Extraordinary Artistic Achievement.

Stacey Tenenbaum / Canada
TOUGH OLD BROADS
Stacey Tenenbaum is an award-winning producer and director. In 2014, she founded H2L Productions, a boutique documentary film production company specializing in crafting character-driven stories that are shot internationally. Her documentaries “Shiners,” “Pipe Dreams,” and “Scrap” have received multiple awards and have been shown on CBC, the Documentary Channel, PBS/Independent Lens, NHK (Japanese public television), TV5 (French public television), YLE (Finnish public broadcasting), ERT (Greek public broadcasting), and more. “Scrap” was nominated for two Canadian Screen Awards in 2023 for Best Original Music and Best Cinematography. Before turning her attention to film, Stacey worked in factual television for 16 years, producing and co-creating award-winning documentary series. In 2012, She was nominated for an International Emmy for “In Real Life III.” Stacey is passionate about making cinematic films filled with humor and heart.

CK Thornton / U.S.
CHICKEN SALAD
Cortney “CK” Thornton is a cinematic pictorialist with a decade of diverse film experience. A UC Santa Cruz alumna, she has worked on Paul Thomas Anderson’s “The Master” and “Inherent Vice” and Christopher Nolan’s “The Dark Knight Rises.” She worked in art and set decoration for shows such as HBO’s “Big Little Lies” and Apple TV+’s “The Morning Show.”
Thornton produced the web series “Talents” and “Simi Valley,” the documentary “In Search of Voodoo,” and the feature “The Dreams of Rene Sendam.” Her directorial debut, the short film “The Drop Off,” was a Toronto Women’s International Film Festival selection in 2021. Her short films “Mother Martyr Salt and Saint” and “Chicken Salad” Her second and third short films, “Mother Martyr Salt & Saint” and “Chicken Salad” both earned the Audience Award at Highland Park Independent Film Festival, and “Chicken Salad” also received the festival’s Juror’s Award.
Honored Guest Director

Ondi Timoner / U.S.
ALL THE WALLS CAME DOWN / LAST FLIGHT HOME / DIG
In January 2025, filmmaker Ondi Timoner was overseas when wildfire tore through her Altadena home, destroying everything—decades of archival footage, personal journals, equipment, and irreplaceable family memories. “All the Walls Came Down” is an intimate short documentary that captures the aftermath of that loss and expands into a larger story of displacement, resilience, and the fight to save the town. As Timoner returns to recover what remains, she turns her lens outward—toward neighbors, many from long-established Black, Latino, and other communities of color who have called Altadena home for generations. These families now face not only the trauma of destruction, but increasing pressure from mortgage lenders, insurance companies, and opportunistic developers pushing them toward foreclosure or forced sales. What begins as a personal reckoning becomes a powerful portrait of a community under siege.

Erika Valenciana / U.S.
BREWER
Erika Valenciana is a Chicana filmmaker and educator from Chicago. “Broken Flight,” her recent short documentary about people who rescue birds that have collided with skyscraper windows, screened at BlackStar Film Festival, Mountainfilm, and the Anchorage International Film Festival, where it received Jury and Audience Awards for Best Short Documentary. Her comedy feature in development, “The Punk Show in Chicago!,” won the Chicago International Film Festival’s Pitch award. Valenciana’s work has been supported by the Tribeca Film Institute, Cine Qua Non Lab, Stowe Story Labs, the Puffin Foundation, Kartemquin Films, the DC Environmental Film Festival, the Chicago Department of Cultural Affairs, and the Illinois Arts Council.
Valenciana amplifies the voices of local community filmmakers of color through the Mezcla Media Collective and serves on the board for the Frozen River Film Festival. She uses film to share underrepresented stories, building towards a media landscape where diverse experiences are celebrated.

Tasha Van Zandt / U.S.
A LIFE ILLUMINATED
Tasha Van Zandt is an award-winning film director, cinematographer, Emmy-nominated producer, and explorer whose work spans all seven continents. Her latest feature documentary, “A Life Illuminated,” premiered at the 2025 Toronto International Film Festival. The film follows marine biologist Edith Widder on a groundbreaking deep-sea expedition into the darkest depths of the ocean in search of bioluminescent life.
Van Zandt’s feature “After Antarctica” chronicles the longest crossing of Antarctica in history through the eyes of legendary polar explorer Will Steger. She directed “One Thousand Stories,” “The Gun Chronicles,” and “Tehachapi,” and served as cinematographer on “Paper and Glue” and “Art for Everybody,” films documenting French photographer and street artist JR’s projects around the world. Her work has been exhibited in museums worldwide and supported by organizations including the Sundance Institute, Film Independent, and SFFILM.

Lorena Villanueva / Colombia
THE TIDE INSIDE
Lorena Villanueva is a Colombian director and producer based in Los Angeles with over a decade of experience in the film and television industry. She completed her Master’s in Film Direction in Spain and directed her first short film, “Fuoco Fatuo,” in Italy. She went on to direct two more short films, “Inés” and “Bed Smash,” which won Best Short Film at the 2024 Santa Fe de Antioquia Film Festival.
Lorena produced the feature “Corozo,” which premiered at the 2024 Chicago Latino Film Festival, won the Audience Award at the Colombian Festival New York and is set for release in March 2026. She is the co-writer, director and producer of the short film “The Tide Inside,” and is currently developing her feature debut, “Gaira.” She is the producer of the feature “Teorema,” selected for the National Association of Latino Independent Producers Accelerator program.
Director Attending

Lianne Sonia Walden / U.S.
DERIVE
Lianne Sonia Walden is a filmmaker, theater director, and storyteller whose work evokes a more expansive sense of possibility through its flirtation with the sublime, the serendipitous, and the surreal. Her films have screened at numerous festivals and won awards for Outstanding Directorial Style and Best Comedic Short. Lianne’s television pilot “The Pleasure Gap” was selected for development through the 2024 Orchard Project Episodic Lab, and she is currently in post-production on a documentary about the Shanghai Jews. Committed to fostering artistic collaboration and new work, Lianne runs an artist lab for filmmakers in NYC. She was a Drama League Director’s Fellow, a creative consultant for the producers of the immersive Shakespeare adaptation “Sleep No More,” Project Coordinator at the Foundation for Contemporary Art in Accra, Ghana, and Program Director at Arte Hacía la Vida in Buenos Aires, Argentina, where she lived and worked as a director for several years.
